H I N G Y I
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H I N G Y I
Illustration | Design | Animation

 

 

MURAKAMI 1Q84

You couldn’t begin to imagine who I am, where I’m going, or what I’m about to do,

Aomame said to her audience without moving her lips. All of you are trapped here. You can’t go anywhere, forward or back. But I’m not like you. I have work to do. I have a mission to accomplish. And so, with your permission, I shall move ahead.

 

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MURAKAMI -1Q84

Tengo made a point of asking people how old they were at the time of their first memory.

For most people it was four or five. Three at the very earliest. A child had to be at least three to begin observing a surrounding scene with a degree of rationality. In the stage before that, everything registered as incomprehensible chaos. The world was a mushy bowl of loose gruel, lacking framework or handholds. It flowed past our open windows without forming memories in the brain.

 

 

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MURAKAMI - 1Q84

Or was this simply a false memory of Tengo’s?

 
 
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Murakami - 1Q84

It was too vivid and too deeply compelling to be fake. The light, the smells, the beating of his heart: these felt overwhelmingly real, not like imitations. And besides, it explained many things—both logically and emotionally—to assume that the scene was real.

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Murakami - 1Q84

Sounds grew distant, and the familiar image was projected onto the screen of his consciousness again and again. Sweat gushed from every part of his body and the armpits of his undershirt grew damp. He trembled all over, and his heartbeat grew faster and louder.

 

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